FretNet: Continuous-Valued Pitch Contour Streaming for Polyphonic Guitar Tablature Transcription
December 06, 2022 Β· Declared Dead Β· π IEEE International Conference on Acoustics, Speech, and Signal Processing
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Authors
Frank Cwitkowitz, Toni Hirvonen, Anssi Klapuri
arXiv ID
2212.03023
Category
eess.AS: Audio & Speech
Cross-listed
cs.LG,
cs.SD
Citations
12
Venue
IEEE International Conference on Acoustics, Speech, and Signal Processing
Last Checked
6 months ago
Abstract
In recent years, the task of Automatic Music Transcription (AMT), whereby various attributes of music notes are estimated from audio, has received increasing attention. At the same time, the related task of Multi-Pitch Estimation (MPE) remains a challenging but necessary component of almost all AMT approaches, even if only implicitly. In the context of AMT, pitch information is typically quantized to the nominal pitches of the Western music scale. Even in more general contexts, MPE systems typically produce pitch predictions with some degree of quantization. In certain applications of AMT, such as Guitar Tablature Transcription (GTT), it is more meaningful to estimate continuous-valued pitch contours. Guitar tablature has the capacity to represent various playing techniques, some of which involve pitch modulation. Contemporary approaches to AMT do not adequately address pitch modulation, and offer only less quantization at the expense of more model complexity. In this paper, we present a GTT formulation that estimates continuous-valued pitch contours, grouping them according to their string and fret of origin. We demonstrate that for this task, the proposed method significantly improves the resolution of MPE and simultaneously yields tablature estimation results competitive with baseline models.
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